Those who know their local maritime history may appreciate the significance of this picture. Before the present-day approach into Liverpool by the regularly dredged Queen’s Channel, ships had to navigate the dangerous Rock Channel along the Wirral coast.
The lighthouses at Bidston, Leasowe and Hoylake played a vital role in this manoeuvre. When the ships saw that the Bidston and Leasowe lights were in line and likewise the two lights at Hoylake, this marked the spot where the ships should change direction, hence “Turn Left for Liverpool”.
The picture is in a style which I called ‘Reverse Perspective’ when I devised it in 2016. But it all started a long time ago. From my primary school window in Poulton I could see the windmill upon Bidston Hill, only a mile or so to the west. My eyes focussed on the windmill; I wasn’t interested in the houses, docks and warehouses in between.
When in later life I wanted to paint a picture of this view, I realised it would be a boring job painting all those houses and docks with the windmill reduced to a tiny shape on the horizon.
Simple answer: ignore them. Or at least reduce them to near irrelevance.
The result: a complete reversal of normal perspective to “Reverse Perspective“.
I have also broken most of the rules of TIME, SPACE, and COLOUR.
Space: by moving buildings so that they are better positioned for the benefit of the composition as a whole. In the process – complete disregard for accuracy when depicting such buildings, nearly all drawn from memory.
Time: in my pictures buildings or scenes from different ages of history can appear together, simultaneously.
And Colour, of course: I want to paint bright, happy pictures, the more colour the better. People immediately recognise the places they depict. The contents of the pictures act as a stimulus to the real pictures, stories, knowledge of the places in your own head.
It’s meant to be fun. Enjoy it.
Bob Hughes, October 2018.